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Well... Bristol is definitely rougher than Firenze, but being able to draw the whole page in a single sheet is definitely helping my composition; I'll try more daring layouts in the future :). I worked on letter-size Firenze sheets, which forced me to draw on both sides of the sheet (even if I could just as easily have used a different sheet...).

I also scanned the whole page at once rather than panel by panel; it felt a little easier and quicker to do, and I guess it will be quicker when I have the same character appearing more frequently in the same page.